Inspirator: His Divine Holiness Acharya Swamishree Purushottampriyadasji Maharaj
Day 3 - Suvarna Pratishtha Mahotsav Vrushpur  
The new Mandir in Vrushpur at night time Entrance to the new Mandir in Vrushpur Acharya Swamishree leads prayers at the start of the religious drama productio Sants perform a prayer in the form of a devotional dance, ‘Preme Naman Chhe, he Vrushnandan’
Sants perform a short dance/drama depicting the mercy of the supreme Lord A scene from the dance/drama depicting the mercy of the supreme Lord Sants perform a short dance/drama at the start of the evening’s drama In Vrushpur, three friends, of whom one is a disciple, talk about what interests them in life
An evil spirit comes to haunt the three friends Bapashree gives darshan to save His disciple from the evil spirit. At the same time, Bapashree accepts the beseeching of the ghost and grants him salvation The 3 friends come to Bapashree in Vrushpur for darshan and tell everyone of the miracle that they had just experienced The story of Shree Muktanand Swami and Shree Brahmanand Swami is enacted
The envious Gadbaddas and his followers vow to cut off the nose and ears of any Swmainarayan Sant who came to their village Gadbaddas captures the 2 Sants and starts to sharpen his sword in order to cut off both Sant’s ears. The 2 Sants pray to the Lord, and this prayer took the form of Shree Muktanand Swami’s composition, ‘Mere To Ek Tu-mahi Aadhaar’ The merciful Lord Shree Swaminarayan inspires Raghavji, the village guard to come to the rescue of the 2 Sants Ramjibhai sits down in the middle of the day to have lunch. As he eats, he sings devotional songs and recalls the blessing of Lord Swaminarayan and Bapashree
A masai tribe find Ramjibhai and prepare to kill him Ramjibhai is locked up in a cage whilst the masai people prepare a fire to cook him Acharya Swamishree, sants and disciples watch the drama production Through the inspiration and divine grace of Jeevanpran Shree Abji Bapashree, a group of people mysteriously appear and free Ramjibhai from the masai tribe
Jeevanpran Shree Muktajeevan Swamibapa comes to the abandoned Chhatri site to give strength to the disciples of Bapashree; He alone was instrumental in protecting and preserving the name and teachings of Jeevanpran Shree Abji Bapashree At the end of the drama, young disciples perform a devotional dance to the song ‘Bapashree noo Naam, Gaaje Gaamo Gaam, Swamibapa e chhe Tamaaraa Tap Tanoo Parinaam’ Dance at the end of the evening’s performances describing the greatness of Bapashree, ‘Bapa Maliyaa Anmol’ Acharya Swamishree gives darshan on the stage at the end of the religious drama
Acharya Swamishree gives darshan with all those who took part in the evening’s performance      
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